His means for this awakening is surrender to God, his poetry has been called "the essential fragrance of the path of love". The learned talk nonsense all for true religion is not woven about the feet of everyone. He who knows not his own soul, how shall he know the soul of another? and he who only knows hand and foot, how shall he know the Godhead? The prophets are unequal to understanding this matter why dost thou foolishly claim to do so? When thou hast brought forward a demonstration of this subject, then thou wilt know the pure essence of the faith otherwise what have faith and thou in common? thou hadst best be silent, and speak not folly. What real merit or punishment can there be? It will be swept along, as in a boat, asleep. While mankind remains mere baggage in the world Sanai's poetry stresses the possibility of an "awakening".Hemenway's translation appears in The Book of Everything: Journey of the Heart’s Desire : Hakim Sanai’s Walled Garden of Truth (2002). In the final scene of the movie, the narrator recites a few verses of poetry without specific attribution, although there is a reference in the film's credit sequence to "Adapted works by Hakim Sanai." Researching for the Library of Congress blog From the Catbird Seat, Peter Armenti confirmed with the assistance of Catbird blog readers that the poem spoken at the end of The Shape of Water is del Toro's adaptation of Priya Hemenway's translation of an original poem by Hakim Sanai. There is a reference to Hakim Sanai's poetry near the end of the 2017 film The Shape of Water by Guillermo del Toro.
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Rumi acknowledged Sanai and Attar as his two great inspirations, saying, " Attar is the soul and Sanai its two eyes, I came after Sanai and Attar." The Walled Garden of Truth was also a model for Nizami's Makhzan al-Asrar (Treasury of Secrets). He is considered the first poet to use the qasidah (ode), ghazal (lyric), and the masnavi (rhymed couplet) to express the philosophical, mystical and ethical ideas of Sufism. Sanai's poetry had a tremendous influence upon Persian literature. To Sanai common religion was only habit and ritual. Love ( Ishq) and a social conscience are for him the foundation of religion mankind is asleep, living in a desolate world.
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Stephenson: "Sanai’s fame has always rested on his Hadiqa it is the best known and in the East by far the most esteemed of his works it is in virtue of this work that he forms one of the great trio of Sufi teachers - Sanai, Attar, Jalaluddin Rumi." Sanai taught that lust, greed and emotional excitement stood between humankind and divine knowledge, which was the only true reality ( Haqq). įor close to 900 years The Walled Garden of Truth has been consistently read as a classic and employed as a Sufi textbook. Dedicated to Bahram Shah, the work expresses the poet's ideas on God, love, philosophy and reason. He wrote an enormous quantity of mystical verse, of which The Walled Garden of Truth or The Hadiqat al Haqiqa (حدیقه الحقیقه و شریعه الطریقه) is his master work and the first Persian mystical epic of Sufism.
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He was connected with the court of the Ghaznavid Bahram-shah who ruled 1117 – 1157.